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#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
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Wilson
Greetings,
Here are some additions to Wilson. This is actually a really cool tune
with a couple key changes. I tried to get the chords to match the lyrics
but listen to the song for better timing.
E-E E-E
Wilson Wilson
E-E E-E
Wilson Wilson
E C A E
Oh out near Stonehenge, I lived alone
E C A E
Oh out near Gamehenge, I chafed a bone
A D E E
Wilson, King of Prussia I lay this hate on you
A D E (hold and feedback)
Wilson, Duke of Lizards, I beg it all trune for you
Repeat the above for second verse
Second Verse
Talk my Duke a mountain, Helping Friendly Book
Inasfar as fiefdom, I think you bad crook
Wilson, king of Prussia, I lay this hate on you
Wilson, Duke of Lizards, I beg it all trune for you
Solo 1 (chords under the solo)
B G D (A?) E
B G D (A?) E
"Reggae" Chording Break
F#m D E (Trey does a three note, double octave
walk-up after this chord on G#,A,A#)
F#m D
Solo 2
A F D A
A F D
"Reggae" Chording Break
Em C D (Trey does a three note, double octave
walk-up after this chord on F#,G,G#)
Em C
Solo 3
F Ab Bb
F Ab Bb
F Ab Bb
C D D# (The timing of this varies depending on the version
listen to the song a couple times and play it how
it sounds best to you
E-E E-E
Wilson Wilson
E-E E-E
Wilson Wilson
E C A E
I talked to my son Roger, Rutherford the same
E C A E
When we had that meeting, over down near Game
A D E E
Wilson, King of Prussia, I lay this hate on you
A D E (hold and feedback)
Wilson, Duke of Lizards, I beg it all trune for you
Heavy Metal Strumming
E C A E
E C A (hold and feed back)
E C A E
You got me back thinkin' that your the worst one
E G A
I must inquire, Wilson, can you still have fun
E G A
Oh Wilson, can you still have fun
Repeat a couple time then hold and feedback the A, and use a spacey
or "swirling" effect. Trey often uses his Digitech Whammy pedal in
conjunction with tremolo or univibe.
Blap! Boom ....... (I still don't know what Trey says here :)
Solo 4 and Outro
E C A E
The above repeats however many times you want to keep the jam going
then ends with:
E C A (hold and feedback)
The most parts of the solos can be figured out by using the first
position of the minor Pentatonic scale the key of the chords the
passages start in:
Solo 1: First Position Bm Pentatonic (7th fret)
Solo 2: First Position Am Pentatonic (5th fret)
Solo 3: First Position Fm Pentatonic (1st fret)
Solo 4: First Position Em Pentatonic (12th fret)
1st Position B Minor Pentatonic
fret E A D G B E
| | | | | |
______________________
7th 1 1 1 1 1 1
______________________
| | | | | |
______________________
9th | 3 3 3 | |
______________________
4 | | | 4 4
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